軸径6.5／穂長23㎜で軸も短めで全体的に小さくはありますが、その分、定価も抑えめです。 無銘シリーズはまだ名前のついてないテスト筆ですので、 そこから三割引させていただきました。 写経や細字、仮名にも使えます。 唐筆でいうと選毫円建とかと同じ毛組みですので、先がきく筆かと思われます。 難点としては軸が短く全体的に小ぶりなところで、それが問題なければ良い筆かと。 本店から引っ張り出してきましてこの５０本で最後の最後になります！ This is a compact, unbranded calligraphy brush made with shikō (purple-tipped goat hair), featuring a short white handle. The brush has a shaft diameter of 6.5 mm and a bristle length of 23 mm, making it smaller overall—but this also allows for a more affordable price point. This brush is part of our unnamed "test brush" series, which are prototypes not yet given official names. As such, we’re offering it at 30% off the original price. It’s well-suited for fine writing, such as sutra copying (shakyō), small script, and kana calligraphy. The hair composition is similar to the senmō-enkensu style often seen in traditional Chinese brushes, which means it holds a sharp tip and responds well to delicate control. Its only drawback is its short and small size—if that’s not a concern for you, this is a high-quality brush with great potential. We pulled the last 50 pieces out of our main store’s back stock—once they’re gone, they’re gone!

静岡県掛川市の民芸品で手織りで作られた短冊掛けになります。 今回、店の倉庫から出てきた５０年ほど前の品物と聞いており、箱に傷みや汚れがありますので、当時の価格のまま三割引で販売します。

大きな下敷きを持ち運ぶ用のカバンになります。 実際に３×１０尺の下敷きでもすっぽり入ります。 残り一点がこちらの茶色いカバンになります。ものとしては１０年以上前のものになりますので、割引価格で販売いたします。 This bag is designed for carrying large calligraphy mats. Even an extra-large mat of 3×10 shaku (approximately 90×300 cm) fits comfortably inside. We have several pieces available in this simple checkered pattern, which we are offering for sale this time. Since these bags were made more than 10 years ago, they are being offered at a special discounted price.

錆びにくい特殊メッキ仕上げ。 上部が回転式で長さの調整が可能。（最長50cmの筆までOK）。 重心がしっかりとしていて倒れにくく、下部には滑り止めの樹脂が付いていて 机などを傷つけません。 サイズ：台座直径130mm×高さ370～600mm 　　　　 筆吊り部分直径160mm 重量：480g This is a premium round brush hanger with a rust-resistant special plated finish. The upper section rotates and can be height-adjusted, accommodating calligraphy brushes up to 50 cm in length. Designed with stability in mind, the base is weighted to prevent tipping, and the bottom is fitted with a protective resin pad to prevent slipping or scratching of desks and tables. Size: Base Ø 130 mm × H 370–600 mm Brush holder diameter: Ø 160 mm Weight: 480 g Finish: Special rust-resistant plating This brush hanger combines functionality and durability with a refined modern design. Ideal for both professional calligraphers and enthusiasts, it offers secure storage, easy access, and long-term reliability.

プラスチック製の筆立てになります。太筆・小筆の２本が立てられます。 台座だけ重くなっています。 古い在庫品ですので、割引させていただきます。 本体サイズ：70×115×45mm 筆立部分高さ：大 90mm/小 70mm 内径：大 18mm/ 小 14mm 重量：102g 材質：ガラス、プラスチック This is a twin brush stand made of plastic, designed to hold two calligraphy brushes — one large and one small. The base is weighted to provide extra stability, while the overall structure remains lightweight and practical. Size: 70 × 115 × 45 mm Brush holder height: Large 90 mm / Small 70 mm Inner diameter: Large 18 mm / Small 14 mm Weight: 102 g Materials: Glass, plastic This item is part of our older stock, so we are offering it at a discounted price. A simple and functional stand, ideal for everyday calligraphy practice.

蝋型鋳銅技術を駆使して作られた、重厚感溢れる美しい逸品です。 伝統工芸作家、須賀月真氏による絶妙なデザインは、書道や絵画を愛する方々に特におすすめです。素材の特性を活かし、筆を安定して置くことができる使いやすさを兼ね備えています。 この文筆皿は、お部屋のインテリアとしても優れた存在感を発揮し、自宅の書斎やアトリエを華やかに彩ります。 Crafted using the refined lost-wax casting method in Takaoka, this exquisite bronze brush rest plate is a masterpiece of weight and beauty. Designed by traditional craft artist Tsukuma Suga, its elegant form makes it especially recommended for calligraphy and painting enthusiasts. The material’s natural weight ensures brushes rest securely, while its refined design brings both functionality and grace to your creative workspace. Beyond its utility, the plate also serves as a striking decorative piece—adding a touch of sophistication to any study, atelier, or interior space. Specifications • Material: Cast bronze (wax mold casting) • Artist: Tsukuma Suga • Availability: Limited edition

日本の女流かな文字の第一人者・川口芝香先生が選定された筆が40本ほど倉庫にありましたので、改めて名入れをしての販売になります。 かな半切の他、中字漢字草書など、古い羊毛と白馬毛を合わせた筆ですので、粘りのある筆になるます。 サイズは軸径11㎜で穂長が50㎜ 軸にシミが出てきていますので、割引価格での販売になります。 This finely crafted calligraphy brush, “Shikō Seishō” (芝香清賞, meaning “A Pure Appreciation of Grassy Fragrance”), is part of a limited stock of approximately 40 brushes originally selected by Shikō Kawaguchi, one of Japan’s leading female masters of kana script. These brushes were recently rediscovered in storage and are now being offered with freshly added name inscriptions. Made from a rare blend of aged goat hair and white horsehair, the brush provides a unique balance of suppleness and resilience—resulting in a smooth yet elastic writing experience. It is especially well-suited for: Kana calligraphy on half-width paper (han-ketsu) Medium-sized kanji in sōsho (cursive script) and other flowing styles Specifications • Shaft diameter: 11 mm • Bristle length: 50 mm • Hair type: Aged goat + white horsehair (Junpaku blend) • Use: Kana, medium kanji, cursive styles • Origin: Japan Please note: Due to long-term storage, some brushes may show slight discoloration (patina) on the handle. For this reason, they are offered at a special discounted price.

安定した日本製でラバー素材のグリップ感と紙になじむフィット感が魅力な商品だそうです。 重量は２本一組で220gになります。 These "gentle" paperweights are designed with a soft touch and excellent grip, thanks to their rubber-coated surface that holds securely to both brush and paper. This version features a charming Year of the Snake (Eto – 巳) motif, adding a subtle traditional flair to your calligraphy or writing setup. Made in Japan with stable, high-quality construction Soft rubber coating for non-slip grip and smooth paper contact Weight: approx. 220 g (set of 2 bars) Ideal for: Calligraphy and sumi-e practice Keeping practice paper or washi securely in place Writers who want gentle stability without damaging delicate paper A functional and culturally meaningful tool—great for everyday use or as a gift with a touch of Japanese tradition.

王朝継紙文様の表紙のままの柄の用紙が20枚一冊になっている仮名練習用紙。 紙は冊子状になっていて厚めの紙になります。 サイズは13.5×12cmの寸松庵サイズになります。 こちらも古い商品になりますのでセール価格での販売になります。 Kana Practice Paper – 20 Sheets with Heian-Era Tsugigami Pattern (Sunshuan Size) This elegant kana practice pad contains 20 sheets of high-quality paper, each printed with the same Heian-era tsugigami (layered paper) design featured on the front cover. Tsugigami is a traditional Japanese paper design style from the Heian period (794–1185), characterized by artful layering and delicate patterns, often used for poetry and correspondence by nobility. The paper is thicker than standard writing paper and bound in a booklet format, making it ideal not only for kana calligraphy practice but also for creating small, refined works. Thanks to its decorative design and compact Sunshuan size (13.5 × 12 cm), the sheets are also perfect for display, framing, or gifting. Note: As this is an older product, we are offering it at a special discounted price. “Yamanami” – Kana Practice Shikishi Paper (Sunshuan Size) This elegant shikishi-style paper is designed for practicing kana calligraphy. Named “Yamanami” (“Mountain Range”), it features a subtle, serene background that enhances the beauty of your writing. Size: Sunshuan (a traditional compact shikishi format) Ideal for practice, small works, or framing.

シンプルな半紙用の文鎮です。 This coin-shaped paperweight is designed to resemble an old Japanese coin, adding a traditional touch to your calligraphy workspace. Currently available at a special discounted price, only while supplies last. Perfect for use in calligraphy, desk decor, or as a unique gift item for lovers of Japanese culture.

奈良墨　呉竹製　作品用で2丁型 商品サイズ 87×27×10mm　※サイズは商品により差異があります。 現代科学の力を活かして、古墨の墨色の再現を目指しました。墨色の原点となる煤粒子（炭素）を最新の技術により大小取り混ぜ、丹念に練り上げました。基線がニジミに対してくっきり表れ、基線の枯れた墨色とニジミの調和にすばらしい作品効果が期待できます。 枯れた基線と滲みの調和が美しい墨色。 青墨との磨りあわせにも適する。 Product Name: Vintage-Style Ink Stick for Artwork – 2-Chō Size (Made by Kuretake, Nara) Product Size: 87 × 27 × 10 mm Please note: Size may vary slightly between products. Description: This 2-chō size ink stick is a professional-grade product made by Kuretake in Nara, designed specifically for creating expressive calligraphy and ink artwork. By blending carbon particles of various sizes using modern scientific techniques, this ink faithfully recreates the elegant tones of antique koboku (aged ink). It produces beautifully nuanced strokes where the crisp outlines (kisen) stand out clearly against delicate feathering (nijimi), creating a harmonious balance between dry lines and subtle shading. The ink's aged-like black tone is both refined and expressive. Also suitable for mixing with blue-black ink (aoboku) for deeper tonal variation.

墨の一大産地・奈良の玄勝堂で作られた早おりの練習用墨になります。 This is a practice ink stick made by Genshōdō, a renowned ink maker in Nara—one of Japan’s most famous ink-producing regions. It is specifically designed for haya-ori (fast-folding or quick-writing) practice, offering smooth grinding and consistent ink flow for daily calligraphy exercises.

奈良　玄勝堂製　清書作品用の青墨をお探しの方のためにより深みのある青みの墨を作りました。 上品な青みの強い高級青墨です。 重さ90ｇで、縦のサイズは約８cm、厚みは約１.５cmになります。 Crafted by Genshōdō, a renowned ink maker in Nara, this premium blue-black ink stick was specially developed for those seeking a richly hued aoboku (blue ink) for finished calligraphy works. “Daiju” offers an elegant, deep blue tone with enhanced color depth, making it ideal for final drafts, exhibitions, and refined artistic expression. The ink stick is shaped in the traditional bagua (八卦) form, symbolizing harmony and auspicious energy in East Asian philosophy. It weighs approximately 90g and measures about 8 cm in height and 1.5 cm in thickness. A distinguished choice for calligraphers who appreciate both quality and symbolic beauty.

以前、ラインナップに載せました山兎の長鋒筆になります。 サイズは軸径７.５㎜、穂長５２㎜で仮名、近代詩文にお使いいただけます。 紙の大きさは全懐紙以上でしょうか。 筆の三大産地の一つ、川尻で作られた筆で、今はない山兎の毛を使い 他にない弾力の筆になっております。 古い筆でこちらはまだある程度の数もありますのでお手に取っていただけるよう 数量限定で二割引でご提供します。 しかも、こちらは以前の価格のままで、そこからの二割引です。 もし、いきなりこの長さは不安！という方は中筆からお使いください。 This is the long-tipped mountain hare brush previously featured in our lineup—a reliable favorite now available once again. Handcrafted in Kawashiri, one of Japan’s three major brush-making regions, it uses the now-unavailable mountain hare hair (yama usagi), known for its unique springiness and control. Shaft diameter: approx. 7.5 mm Bristle length: approx. 52 mm It’s ideal for kana, modern poetic works, and other expressive writing styles. We recommend it for use on zenkaishi-sized paper or larger, where its full potential can be appreciated. As this is a vintage brush, we’re offering it at a special 20% discount—not only off the regular price, but even off its original, pre-inflation price. A rare opportunity for those who want to experience the quality of traditional brushmaking at exceptional value. If you're unsure about jumping straight into a long-tip brush, we suggest starting with a medium brush (chūfude) to get accustomed to the feel.

VHSテープです。ご注意ください。 新品ですが、パッケージも古く汚れていますし、おそらくデータに変換すると思いますので、その分、割引させていただきます。 This is a VHS tape. Please be aware of the format before purchasing. Although the item is unused (new), the packaging shows signs of age and some wear. Since the tape is likely to be used for digital conversion, we are offering it at a discounted price.

竹の先を細かく裂いて作られた筆です。一味違う書き味です。 節まで頑張ればほぐせるということで 公称の穂の長さが 小　6.5㎝ なんですが、4枚目の写真を見ると実際に使える穂の長さは6センチ無いですかね。 左の写真は中サイズになります。 こちら、糊付けの竹筆でして、最初の扱い方も載せておきます。 まず、50〜60℃のお湯で軽く揉むぐらいで糊を落とす、この際、竹筆は小筆のように消耗品ですので、あまり激しく扱わず、落とす程度でお願いします。 さらにこの時の温度が高いと少し柔らかくなるので、そちらの方がよろしい時は温度で調整してください。温めるほど柔らかくなるそうです。 先と腹を使うとまた別の表現になる竹筆をぜひお試しください！ This unique brush is made by finely splitting the tip of a bamboo shaft, offering a writing experience unlike conventional brushes. Although the officially stated bristle length is 6.5 cm, as seen in the fourth photo, the usable length appears to be slightly less than 6 cm. (The brush on the left in the comparison photo is the medium size.) This is a glue-set bamboo brush, so some preparation is required before first use. Soak the tip gently in hot water (about 50–60°C) and lightly massage it to dissolve the glue. Please avoid rough handling, as bamboo brushes are considered consumables like small calligraphy brushes. If you prefer a softer texture, slightly raising the water temperature will help — the hotter the water, the softer the brush becomes. With its distinct split-tip construction, this brush allows for expressive variation depending on how you use the tip and belly. We encourage you to give it a try and explore its unique potential!

節まで頑張ればほぐせるということで 公称の穂の長さが 中　8㎝ なんですが、節までの長さなので実際に使える長さはもっと短いかと思います。 三枚目の写真の右側は小サイズになります。 こちら、糊付けの竹筆でして、最初の扱い方も載せておきます。 まず、50〜60℃のお湯で軽く揉むぐらいで糊を落とす、この際、竹筆は小筆のように消耗品ですので、あまり激しく扱わず、落とす程度でお願いします。 さらにこの時の温度が高いと少し柔らかくなるので、そちらの方がよろしい時は温度で調整してください。温めるほど柔らかくなるそうです。 先と腹を使うとまた別の表現になる竹筆をぜひお試しください！ This unique bamboo brush is made by finely splitting the tip of the bamboo shaft, offering a distinct texture and writing feel. The officially listed bristle length is 8 cm, but this includes the portion up to the node (joint), so the actual usable length is slightly shorter. (For size comparison, the brush on the right in the third photo is the small version.) This is a glue-set bamboo brush, and some preparation is required before first use: Soak the tip in hot water (about 50–60°C) and gently rub it to remove the glue. Please handle it gently, as bamboo brushes are consumables similar to small calligraphy brushes. If you prefer a softer feel, you can slightly increase the water temperature — the hotter the water, the softer the bristles become. You can create varied, expressive strokes by using both the tip and the body of the brush. We highly recommend trying this bamboo brush to explore a different dimension of calligraphy expression.

節まで頑張ればほぐせるということで 公称の穂の長さが 大　10㎝ なんですが、節までの長さなので実際に使える長さはもっと短いかと思います。 2枚目の写真の左から２番目になります。 こちら、糊付けの竹筆でして、最初の扱い方も載せておきます。 まず、50〜60℃のお湯で軽く揉むぐらいで糊を落とす、この際、竹筆は小筆のように消耗品ですので、あまり激しく扱わず、落とす程度でお願いします。 さらにこの時の温度が高いと少し柔らかくなるので、そちらの方がよろしい時は温度で調整してください。温めるほど柔らかくなるそうです。 先と腹を使うとまた別の表現になる竹筆をぜひお試しください！ This large bamboo brush is crafted by finely splitting the tip of a thick bamboo shaft, delivering a bold and textured writing experience. The official bristle length is listed as 10 cm, but this includes the portion up to the bamboo node. The actual usable length is somewhat shorter. (For reference, the brush is the second from the left in the second photo.) Like other sizes, this is a glue-set bamboo brush and requires a bit of preparation before first use: Soak the tip in hot water (around 50–60°C) and gently rub it to remove the glue. Please handle it carefully — bamboo brushes are consumables, much like small calligraphy brushes. If a softer feel is desired, slightly increasing the water temperature will help soften the bristles. By using both the tip and the belly of the brush, you can explore a range of expressive styles. We highly recommend giving this bamboo brush a try if you’re looking to expand your calligraphy tools with something bold and unique.

薄い練習用色紙10枚一冊と、ちょっと遅いですが梅柄のボカシ、重ね継ぎ風模様の色紙二種と扇形の金潜紙といった趣きの違う色紙四枚を合わせたセットになります。古い商品なので、割引価格でご提供します。 This set includes one booklet of 10 thin practice shikishi sheets, ideal for layout training and brushwork exercises. It also comes with four decorative shikishi boards, each featuring a distinct design: – A subtle plum blossom (ume) gradient (slightly off-season but still elegant) – A layered kasanetsugi-style pattern – A fan-shaped gold underlay design – And one additional board with refined visual character These variations offer a range of expressive possibilities for your calligraphy or artwork. Please note: This is an older item, so we are offering it at a discounted price.

在庫処分で550円（税込）にしました雪書墨が終売になりまして、ワークショップやお子様のお教室などで初期費用を抑えたい方とか、とりあえず書きたい！って人にオススメ用の筆を残さないと、と思いまして探す中、見つけた筆になります。 安さの理由は軸がプラスチックな所と少し穂が細身なところ。赤毛でコシが強いので初心者やお子様にも！という筆です。 軸径12㎜、穂長50㎜ですので大きさ的には使いやすいサイズになっています。 Now available at a special clearance price: 550 yen (tax included). With the discontinuation of our previous brush “Yuki-Shoboku,” we searched for a good replacement for those who want to enjoy calligraphy without a large upfront investment—such as beginners, workshop participants, or children in calligraphy classes. That’s how we found this affordable option. The low price is due to its plastic handle and slightly slimmer tip, but it still offers great performance. Made with firm red hair, this brush has strong resilience and is easy to control, making it especially suitable for beginners and young learners. It’s a practical size with a 12 mm diameter handle and 50 mm long bristles, providing a comfortable grip and balanced feel. If you're looking for a budget-friendly brush just to give calligraphy a try—this is the one!

般若心経の手本入り写経用紙セットでなぞり書き用や下敷まで含めて計２３枚入りです。 業界最安値を目指した期間限定のお値段です。 似たようなものもありますが、この枚数でこの価格より安いものを見つけたら一度ご相談ください！ Includes tracing sheets and guide – 23 sheets total This is a complete calligraphy paper set for practicing shakyō (sutra copying), featuring the full text of the Heart Sutra (般若心経 / Hannya Shingyō). The set includes 23 sheets in total, combining various formats such as: Model sheets with printed examples of the Heart Sutra Tracing sheets for guided practice Under-sheets (shitajiki) to support clean writing Perfect for both beginners and experienced calligraphy practitioners, this kit allows you to engage in the meditative, mindful practice of sutra copying while improving brush technique and handwriting. This set is also a great introduction to Japanese Buddhist culture and makes a thoughtful gift for those interested in Zen, spirituality, or traditional arts.

書写用下敷など23枚入りの写経用紙セットです。 業界最安値を目指した期間限定のお値段です。 似たようなものもありますが、この枚数でこの価格より安いものを見つけたら一度ご相談ください！ ncludes under-sheets and model sheets – 23 pieces total This is a 23-piece calligraphy paper set designed for practicing shakyō (sutra copying), featuring the Kannon Sutra (観音経 / Kanzeon-kyō)—a Buddhist scripture honoring the Bodhisattva of Compassion. The set includes: Model sheets with printed examples of the Kannon Sutra Tracing sheets for guided practice Writing guides and under-sheets (shitajiki) to help maintain clean lines and posture during writing Ideal for those interested in meditative calligraphy, Japanese Buddhist texts, or simply improving brush control through structured practice. This set offers a thoughtful introduction to the spiritual and artistic tradition of sutra copying.

軸径9.5mm、穂長42mmの馬の毛を使った筆で、元々は書き初めの名前書き用に作った筆ですが、当時少し大きめに作ってしまったらしく、割と中途半端な大きさになってしまった筆になります、、、、ところが作りはしっかりしてるし硬めの馬毛で意外に書きやすいとのことで、お値段も下げさせていただくとワークショップなどでの使用にいいと評判の筆になりました。 This is a medium-sized calligraphy brush made from sturdy horsehair, with a shaft diameter of approx. 9.5 mm and a bristle length of 42 mm. Originally designed for writing names on kakizome (New Year’s calligraphy), this brush ended up slightly larger than intended—resulting in a somewhat in-between size. While it didn’t quite fit its original purpose, it turned out to be surprisingly well-balanced and easy to use thanks to its solid construction and firm bristles. Because of its off-standard size, we’ve set a reduced price, making it a great choice for: Workshops and group lessons Beginners seeking a reliable brush Calligraphers who prefer firmer tips and clear lines A hidden gem of a brush—unexpectedly versatile and popular among workshop participants.

色紙サイズの練習用紙になります。 一枚一枚は薄い画用紙のような紙質で五柄が2枚ずつ計10枚ひととじになっております。 色紙サイズ：273×242mm 鳥の子紙 五色の地紙に胡粉で具引きした柄が散らしてあります。歌用色紙など字配りの練習ができます。滲まないです。 今回は５冊セットで割引価格での販売です。 This is a set of 5 practice pads for calligraphy or waka poetry layout training, with each pad containing 10 shikishi-size sheets (273 × 242 mm). The paper is made from non-bleeding torinoko, with a texture similar to thin drawing paper, offering a pleasant surface for brush or pen writing. Each pad includes: 5 traditional background colors, Decorated with scattered white designs using shell white pigment (gofun) 2 sheets per pattern, for a total of 10 sheets per pad These elegant yet practical sheets are ideal for: Practicing layout and composition for poetry or formal writing Preparing finished-looking drafts Learning 字配り (jikubari / character arrangement) on decorative paper This 5-pad bundle is available at a special discounted price—perfect for teachers, students, or artists who want beautiful practice paper with traditional flair.